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It has been structured according to film genre: Drama (1-4) includes large orchestral productions recorded mainly in Budapest and . features East-Indian musicians playing with the SWR Film Music Orchestra. Thriller (5-9) are and orchestral recordings. Romance (10-14) features a a and more like the music for that was recorded in Budapest. Voodoo (15-18), these tracks are from a documentary about this religion. I recorded ) live in Bénin, West Africa, and integrated it into the film score. Period Music (19-21) presents a , some "Vienna Classic and circus music. Comedy (22-24) opens with light followed by the track for the ). Track #24 tips its hat to the typical German suspense scores of the sixties. Horror (25+26) includes an and a synth/sound design score for the American movie "Innocent Obsession. Jazz (27-29) is not really a movie category. The first track you hear from the . Track #28 isn´t a score at all. By chance I got hold of a tape of the production assistant and the producer having a telephone conversation about the progress of the shoot. I couldn´t resist putting it into a . Track #29 is music to some beautiful exterior/night/rain shots before it moves into a retro-kitsch jazzclub. Science Fiction (30+31) has one quiet athmospheric score (30) and a synth / sound design track (31). The very last seconds belong to Lily. | ||